You can also find concert tickets and details. Other popular songs by Charlie Puth includes Empty Cups, One Call Away, Look At Me Now, Does It Feel, I Won't Tell A Soul, and others.įor more information on this song or artist, check out SoundCloud or Last.fm. Selena Gomez) - Attom Remix is unlikely to be acoustic. Around 11% of this song contains words that are or almost sound spoken. Selena Gomez) - Attom Remix is is great song to casually dance to along with its sad mood. In our opinion, We Don't Talk Anymore (feat. It is composed in the key of C♯ Minor in the tempo of 101 BPM and mastered to the volume of -7 dB. Selena Gomez) - Attom Remix is 3 minutes 38 seconds long. The duration of We Don't Talk Anymore (feat.
Selena Gomez) - Attom Remix is a song recorded by Charlie Puth for the album We Don't Talk Anymore (feat. Becoming an artist in his own right put a little distance between himself and that elemental magic, but covering Adele transports Nail back to that place - and helps him bring that feeling to his own fans.Your browser does not support the audio element.
Back then, it seemed like his favorite singers were reading his mind. Nail’s a powerful, emotive vocalist in his own right - as proven by deep-feeling tunes like “Red Light,” “Let It Rain” and even his most recent single, the nostalgic party jam “Night’s on Fire” - but he says there’s something about connecting with another artist’s song that reminds him of his younger days. That part, Nail says, was pretty much a necessity, since the delicately fluttering vocal flourishes on Adele’s original are hers and hers alone. He decided against a simple piano-based foundation, and went instead with a full studio production that captures the song’s bitter internal narrative - drifting, half-numb keyboards, a barely-registering pulse and the same effortless, honest vocal feel that made his version of “Someone Like You” a must-hear. “My initial reaction was, ‘If I’m gonna do one, this has got to be it.'”Īfter committing to the idea, Nail set about immersing himself once again in a deeply wounded heartbreak ballad sung from a female perspective, trying to find a way to respect the original but also add a new twist. “When I heard the song we ended up covering, it was so unlike anything that I felt like she had done before, sound-wise,” he says.
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